The Dude Minds
2009-08-22 09:54:20 UTC
Here's an extract from her analysis of Beethoven which aims to deconstruct, Beethoven's constructions of subjectivity - or something like that.
"The point of recapitulation in the first movement of the Ninth is one of the most horrifying moments in music, as the carefully prepared cadence is frustrated, damming up energy which finally explodes in the throttling murderous rage of a rapist incapable of attaining release."
Here is another extract from an analysis on Schubert's sexuality, through his music:
"What is remarkable about this movement is that Schubert conceives of and executes a musical narrative that does not enact the more standard model in which a self strives to define identity through the consolidation of ego boundaries...in a Beethoven world such a passage would sound vulnerable, its tonal identity not safely anchored; and its ambiguity would probably precipitate a crisis, thereby justifying the violence needed to put things right again."
What is your opinion on this? Pseudo-scientific/pseudo-musicological nutcase or the real deal?